Viscosity printing is a process that uses different viscosities (stickiness) of ink to enable you to ink up a plate with more than one colour – the different viscosities of ink will not mix. The foundations of this method can be used to create monotypes where a greasy medium can be used to resist ink. … Continue reading "Viscosity Monotype at Home"
Scroll through the list below to find definitions and explanations of common printmaking terms: Acid-free – refers to papers that are made with an alkaline pulp, usually with calcium carbonate added. Acids contribute to the deterioration of paper and therefore of prints. Aisuki – a rounded, bevelled chisel tool used in Japanese Woodblock Printing, often … Continue reading "Glossary of Printmaking Terminology"
One of the great things about printmaking is that one design can be used to create a whole edition of prints. That being said, editioning is something that some printmakers can find frustrating if you just want to get on with the next design! Knowing how to edition, sign and number your prints can be … Continue reading "Editioning Prints"
Monoprinting is a lovely technique that allows printmakers to be spontaneous, painterly and experimental. This simple monoprint project produces beautiful delicate prints using a piece of scrim and an etching press. Begin with a piece of perpex, a plastic inking plate or a sheet of drypoint plastic. use masking tape to tape off a rectangle on your perspex. … Continue reading "Monoprinting with Scrim"
Knowing which inks to use for which printing project can be a minefield. There are different inks for screen printing, relief printing and intaglio. Some can be used for more than one technique, some are only suited to one. Some can be used for printing onto fabric, some only for paper. We’ve created a chart … Continue reading "Which Inks Can I Use?"