Blog - Intaglio
Once you've made an etching plate, it may be ready to print an edition - or you might want to make further edits. Taking a print is the only way you’ll be able to see how your plate is progressing. This blog...
We recently covered in our blog how to make marks on etching plates, using tools and resists. Now we’re going to put together what we’ve learnt to create a print!...
Drypoint is a fantastic intaglio technique as it requires limited equipment to create a plate. It's a great way of creating a printed drawing and is one of the printmaking techniques where the positive mark is the one that prints...
When you’ve created an aluminium or zinc plate etching, you’ll want to have a go at pulling your first print. To do this, you’ll need to learn how to prepare your paper and...
Hi, I'm a printmaker and illustrator living in the Holme Valley in Yorkshire, with a little print studio in the neighbo. . .
Choosing the paper for your printmaking project can have a significant impact on the way the print turns out. Changing the colour, thickness or tex. . .
Scroll through the list below to find definitions and explanations of common printmaking terms: Acid-free – refers to papers that are made with an alkaline pulp, usually with calcium carbonate added. Acids contribute to the deterioration of paper and therefore of prints. Aisuki – a rounded, bevelled chisel tool used in Japanese Woodblock Printing, often …
Using tools on your plate isn’t the only way you can create marks within an etching. You can also use resists to stop the mordant from reaching the surface of your plate. Resists can help achieve more subtle marks and washes, and they...
We’ve had a lot of fun this week working on easy, quick and fun ways to print your own Christmas cards! We’ve come up with six simple ways for you to try. Take a look at our instructions below and have a go yourself. Bah Humbug Lino Printed Card This two-layered lino card is quick, …
When you’ve mixed a fresh batch of copper sulphate mordant, or if you have an old batch that you haven’t used for a few months, it’s good practice to test the strength of your solution. By creating some test strips for both line and tones, you’ll create yourself a reference point that you can use to help plan. . .
I’m an artist, illustrator and printmaker. Having left London after a decade of city life I now live and work in The New Forest, squeezing in drawing and printing arou. . .
When you’ve degreased and prepared your plate for etching, there are a variety of tools you can use to mark into the surface. Any marks made into the surface of the grounds will expose your plate to the mordant. When etched, these marks will...
Collagraphy is a really versatile printing process in which a textured plate is inked up and put through a press. Different textures hold varying amounts of ink and print different tones. Anything with a low relief texture can be stuck down and used: wallpaper, leaves, fabrics, tapes and threads etc. The collagraph plate is …
For a successful etch, there is a little bit of care and attention you need to give to your metal plate first. There are surface impurities and grease pockets within the metal that will need to be removed before coating your p. . .
Copper sulphate is a non-toxic mordant used to etch aluminium, zinc and steel plates for intaglio printmaking. Copper sulphate is a safer alternative to acids - and we always opt for safer solutions here at the Handprinted studio! Metal plates are traditionally etched using highly corrosive acids, which generate noxious gases and can cause burns if they touch your skin. Aci. . .
Drypoint is an intaglio printmaking method that involves scratching an image into a plate with a pointed tool. These lines create a burr that holds ink, meaning that the print reveals the drawing. Drypoint is an easy technique to get to grips with and is a great method if you would like to take your drawings into print. It’s easier than . . .
We have had the pleasure of hosting lots of new and exciting Fab Friday workshops and wonderful Guest Tutors in 2022, exploring a variety . . .
Mirror Card is a great option for intaglio plate making. It's shiny and wipeable, making it brilliant for expressive inking and sketchy designs. Peel away the surface to create dark, inky areas too. Scroll to the ...
This drypoint card can be traced from a photograph into a simple line drawing. A mono-printed red breast is made with a swipe of an inky thumb and will be slightly different on each card you print! This method uses a press but you can see a press-less method here. Use a piece of drypoint …
Enviromount is a brilliant paper-based drypoint surface. It can be scored with a sharp tool such as a drypoint needle, and the top surface can be peeled away. We were keen to try it out in the studio. A drypoint print is an intaglio technique in which lines are scratched into a plate, creating a … Continue reading "Drypoint with Enviromount"
