Blog - Advice & Tips

One of the great things about printmaking is that one design can be used to create a whole edition of prints. That being said, editioning is something that some printmakers can find frustrating if you just want to get on with the next design! Knowing how to edition, sign and number your prints can be … 

Reduction linocut is one of the printmaking methods favoured by Picasso. To make a reduction linocut we use only a single piece of lino. Layers of colour are printed on top of one another, each from the same block which is carved between each colour. A reduction linocut can be easier to register than a … Continue reading "Making a Reduction Linocut"

Indigo has been used to dye fabric in many cultures for centuries. Traditional Shibori folding techniques combined with indigo dye can create beautiful fabrics with intricate patterns with both subtle and bold shades of blue. Begin by preparing your dye vat. We are using an Indigo Dye Kit that includes all the ingredients for a …

Colour mixing can become a very complicated topic. When printing, it is tempting to use colours straight from the tube as mixing the perfect shade can be a little daunting and result in a large quantity of unwanted murky brown ink. We wanted to create a few colour mixing guides to help printmakers build up … Continue reading "Introduction to Colour Mixing: Caligo Process Colour Wheel"

Relief printing is a technique in which the raised surface of a block or plate is inked up and printed when in contact with paper (or fabric etc.) A linocut is a relief printing method using carved lino. Any areas that are left uncarved will be inked up with a roller and printed. This project …

Cyanotype is an early photographic process that uses two solutions (Potassium Ferricyanide and Ferric Ammonium Citrate) to create an image or ‘blueprint’. It was introduced by John Herschel in 1842 as a way to copy notes but was brought to the photographic world by Anna Atkins the following decade through her photograms of algae, seaweed, …

There are many objects that can be gathered from around the house to add to your printmaking kit! Here are some of our favourite alternative uses for easily found objects that we use in the studio every day!  Use clips on your hinged screen for an easy squeegee rest: Securing two large clips to your …

Using a hinged board to screen print onto paper is a game changer. It allows you to register layered prints and print in identical editions. Here’s how we made our latest batch of A2 hinged boards in the studio: You will need a board at least the same width and slightly longer than your screen...

Making your own inks for screen printing onto fabric is an economical way to get a wide range of colours exactly to your specifications. The mixed inks will leave the fabric soft and washable. Here’s how to mix them: Start with Fabric Screen Printing Binder. This is a colourless screen printing medium and will form the … Continue reading "How to Mix Pigment and Binder to Screen Print onto Fabric"

Having a fabric printing pad makes a huge difference when you’re printing at home or in the studio. When screen printing or block printing onto fabrics, it helps to have slight padding underneath your printing surface to ensure you get an even print. You can also pin out fabric to the pad. We use these …

When transferring designs to a block, there are several factors to consider: can the design be seen on the block? Will it wash off? Will the design be transferred to the print? In this project, we test two different carbon papers on six different relief blocks. We test them with three types of ink: waterbased, water …

Making a batik is the satisfying process of layering wax and dye to create bold, intricate designs. The more layers of dye and wax that are added, the thicker and stiffer the fabric will become. At the end of this process, you’re left with a hard, milky-looking piece of cloth. Here’s how to iron the … Continue reading "Ironing the Wax out of a Batik"

Translating drawings into print doesn’t have to include scanning and digitally manipulating your design on a computer. By using opaque film markers onto screen film we are able to skip the digital part altogether and create a photographic screen directly from the drawings you produce. This allows you to work in full scale, even tracing…

It’s important to take care of your exposed screen so that it can last for multiple print runs. With proper care, you should be able to use your screen again and again until you’re ready to have it washed off and a new design exposed. Read on for a list of rules and advice …

A rainbow roll is a great way to easily add a beautiful range of colours to a linocut. This project uses only two colours to create a range of shades, all in one printing layer.  We are using the jigsaw linocut technique to give us areas of different colours. We want our background to be …

People often want to screen print photographic images and hope to use black and white photographs for this. To do this you need an exposed screen. The way screen printing works is the mesh either has to be open or closed (ink passes through the open areas but cannot pass through the closed areas) therefore …

We’re very pleased to have a brand new roller available for block printing onto fabric! We love using screen printing inks to block print onto fabric as it creates fast-drying washable prints. Screen printing inks are too slippery for standard rollers so up until now we’ve liked using Sponge Rollers to print our fabrics. Sponge …

In last week’s blog post we began looking at which inks were suitable for screen printing onto dark fabrics. We used three different screen printing inks and looked at the difference between standard and opaque inks when printing with white. All of the white inks printed well onto the black fabric – white inks are…

Screen printing onto fabric tends to get a little complicated as soon as you want to print onto dark coloured fabrics. Standard screen printing inks are translucent and will therefore show some of the base colour through when printed. When printing onto white or pale coloured fabrics this is not a problem. Most standard screen … Continue reading "Screen Printing onto Dark Fabrics with White Ink"

There are a large variety of different lino cutting tools with different shapes and sizes. The most common lino tools are V Tools and U Tools. U Tools carve softer lines with a curved end point and an even width but it can be harder to get control over the placement of your edges. V …