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Reduction linocut is one of the printmaking methods favoured by Picasso. To make a reduction linocut we use only a single piece of lino. Layers of colour are printed on top of one another, each from the same block which is carved between each colour. A reduction linocut can be easier to register than a …
Continue reading "Making a Reduction Linocut"
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Indigo has been used to dye fabric in many cultures for centuries. Traditional Shibori folding techniques combined with indigo dye can create beautiful fabrics with intricate patterns with both subtle and bold shades of blue. Begin by preparing your dye vat. We are using an Indigo Dye Kit that includes all the ingredients for a …
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Colour mixing can become a very complicated topic. When printing, it is tempting to use colours straight from the tube as mixing the perfect shade can be a little daunting and result in a large quantity of unwanted murky brown ink. We wanted to create a few colour mixing guides to help printmakers build up …
Continue reading "Introduction to Colour Mixing: Caligo Process Colour Wheel"
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Relief printing is a technique in which the raised surface of a block or plate is inked up and printed when in contact with paper (or fabric etc.) A linocut is a relief printing method using carved lino. Any areas that are left uncarved will be inked up with a roller and printed. This project …
Continue reading "How to Carve and Print a Simple Linocut for Beginners"
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Cyanotype is an early photographic process that uses two solutions (Potassium Ferricyanide and Ferric Ammonium Citrate) to create an image or ‘blueprint’. It was introduced by John Herschel in 1842 as a way to copy notes but was brought to the photographic world by Anna Atkins the following decade through her photograms of algae, seaweed, …
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It can be interesting to include natural textures in our relief prints. Wood grain is a beautiful organic pattern and can be printed especially well if we emphasise the natural grain in the wood. We can do this with a blow torch. Scorch the surface of the wood to bring out the wood grain. (Please be careful …
Continue reading "Relief Printing from Wood Grain"
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Monoprinting is a lovely technique that allows printmakers to be spontaneous, painterly and experimental. This simple monoprint project produces beautiful delicate prints using a piece of scrim and an etching press. Begin with a piece of perpex, a plastic inking plate or a sheet of drypoint plastic. use masking tape to tape off a rectangle on your perspex. …
Continue reading "Monoprinting with Scrim"
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There are many objects that can be gathered from around the house to add to your printmaking kit! Here are some of our favourite alternative uses for easily found objects that we use in the studio every day! Use clips on your hinged screen for an easy squeegee rest: Securing two large clips to your …
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Using a hinged board to screen print onto paper is a game changer. It allows you to register layered prints and print in identical editions. Here’s how we made our latest batch of A2 hinged boards in the studio: You will need a board at least the same width and slightly longer than your screen...
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If you haven’t tried printing with magic Heat Stamps yet, this is your new project. It’s really quick to create a unique block that can be reused again and again to create different textures and patterns. All you need is a heat gun and a variety of objects and surfaces to create your stamps. Arrange a …
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Transfer printing is a quick and playful printmaking method. The dyes require no fixative – only heat! They can be mixed up and left in a covered pot to use another day – they should keep indefinitely. Pour 100ml of warm water into a pot. Sprinkle 1tsp transfer dye onto the water. Use colours straight …
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Making your own inks for screen printing onto fabric is an economical way to get a wide range of colours exactly to your specifications. The mixed inks will leave the fabric soft and washable. Here’s how to mix them: Start with Fabric Screen Printing Binder. This is a colourless screen printing medium and will form the …
Continue reading "How to Mix Pigment and Binder to Screen Print onto Fabric"
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Having a fabric printing pad makes a huge difference when you’re printing at home or in the studio. When screen printing or block printing onto fabrics, it helps to have slight padding underneath your printing surface to ensure you get an even print. You can also pin out fabric to the pad. We use these …
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Homemade decorations can be the best (and cheapest!) way to decorate for Christmas. These little birdies would make lovely presents too. Get the kids involved with this easy project. To make things even easier, we’ve made a printable template for you to use. Print out a batch of templates. Each A4 template can be used …
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This is a really fun way of making a big batch of Christmas cards. Making a screen with drawing fluid and filler maintains a hand-drawn look whilst giving a flat professional finish that’s the same on every card. Here’s how: Draw around a blank card onto a piece of paper. Draw your design in the …
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When transferring designs to a block, there are several factors to consider: can the design be seen on the block? Will it wash off? Will the design be transferred to the print? In this project, we test two different carbon papers on six different relief blocks. We test them with three types of ink: waterbased, water …
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Making a batik is the satisfying process of layering wax and dye to create bold, intricate designs. The more layers of dye and wax that are added, the thicker and stiffer the fabric will become. At the end of this process, you’re left with a hard, milky-looking piece of cloth. Here’s how to iron the …
Continue reading "Ironing the Wax out of a Batik"
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If you’re a Halloween lover this project is for you! We’ve had a go with Speedball’s Acrylic Night Glo Ink and made our own glow in the dark Halloween poster. This ink really gives your prints a twist – it would be great for children’s (or adults’!) bedrooms too. This project uses paper stencils to …
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Translating drawings into print doesn’t have to include scanning and digitally manipulating your design on a computer. By using opaque film markers onto screen film we are able to skip the digital part altogether and create a photographic screen directly from the drawings you produce. This allows you to work in full scale, even tracing…
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It’s important to take care of your exposed screen so that it can last for multiple print runs. With proper care, you should be able to use your screen again and again until you’re ready to have it washed off and a new design exposed. Read on for a list of rules and advice …
Reduction linocut is one of the printmaking methods favoured by Picasso. To make a reduction linocut we use only a single piece of lino. Layers of colour are printed on top of one another, each from the same block which is carved between each colour. A reduction linocut can be easier to register than a … Continue reading "Making a Reduction Linocut"
Indigo has been used to dye fabric in many cultures for centuries. Traditional Shibori folding techniques combined with indigo dye can create beautiful fabrics with intricate patterns with both subtle and bold shades of blue. Begin by preparing your dye vat. We are using an Indigo Dye Kit that includes all the ingredients for a …
Colour mixing can become a very complicated topic. When printing, it is tempting to use colours straight from the tube as mixing the perfect shade can be a little daunting and result in a large quantity of unwanted murky brown ink. We wanted to create a few colour mixing guides to help printmakers build up … Continue reading "Introduction to Colour Mixing: Caligo Process Colour Wheel"
Relief printing is a technique in which the raised surface of a block or plate is inked up and printed when in contact with paper (or fabric etc.) A linocut is a relief printing method using carved lino. Any areas that are left uncarved will be inked up with a roller and printed. This project … Continue reading "How to Carve and Print a Simple Linocut for Beginners"
Cyanotype is an early photographic process that uses two solutions (Potassium Ferricyanide and Ferric Ammonium Citrate) to create an image or ‘blueprint’. It was introduced by John Herschel in 1842 as a way to copy notes but was brought to the photographic world by Anna Atkins the following decade through her photograms of algae, seaweed, …
It can be interesting to include natural textures in our relief prints. Wood grain is a beautiful organic pattern and can be printed especially well if we emphasise the natural grain in the wood. We can do this with a blow torch. Scorch the surface of the wood to bring out the wood grain. (Please be careful … Continue reading "Relief Printing from Wood Grain"
Monoprinting is a lovely technique that allows printmakers to be spontaneous, painterly and experimental. This simple monoprint project produces beautiful delicate prints using a piece of scrim and an etching press. Begin with a piece of perpex, a plastic inking plate or a sheet of drypoint plastic. use masking tape to tape off a rectangle on your perspex. … Continue reading "Monoprinting with Scrim"
There are many objects that can be gathered from around the house to add to your printmaking kit! Here are some of our favourite alternative uses for easily found objects that we use in the studio every day! Use clips on your hinged screen for an easy squeegee rest: Securing two large clips to your …
Using a hinged board to screen print onto paper is a game changer. It allows you to register layered prints and print in identical editions. Here’s how we made our latest batch of A2 hinged boards in the studio: You will need a board at least the same width and slightly longer than your screen...
If you haven’t tried printing with magic Heat Stamps yet, this is your new project. It’s really quick to create a unique block that can be reused again and again to create different textures and patterns. All you need is a heat gun and a variety of objects and surfaces to create your stamps. Arrange a …
Transfer printing is a quick and playful printmaking method. The dyes require no fixative – only heat! They can be mixed up and left in a covered pot to use another day – they should keep indefinitely. Pour 100ml of warm water into a pot. Sprinkle 1tsp transfer dye onto the water. Use colours straight …
Making your own inks for screen printing onto fabric is an economical way to get a wide range of colours exactly to your specifications. The mixed inks will leave the fabric soft and washable. Here’s how to mix them: Start with Fabric Screen Printing Binder. This is a colourless screen printing medium and will form the … Continue reading "How to Mix Pigment and Binder to Screen Print onto Fabric"
Having a fabric printing pad makes a huge difference when you’re printing at home or in the studio. When screen printing or block printing onto fabrics, it helps to have slight padding underneath your printing surface to ensure you get an even print. You can also pin out fabric to the pad. We use these …
Homemade decorations can be the best (and cheapest!) way to decorate for Christmas. These little birdies would make lovely presents too. Get the kids involved with this easy project. To make things even easier, we’ve made a printable template for you to use. Print out a batch of templates. Each A4 template can be used …
This is a really fun way of making a big batch of Christmas cards. Making a screen with drawing fluid and filler maintains a hand-drawn look whilst giving a flat professional finish that’s the same on every card. Here’s how: Draw around a blank card onto a piece of paper. Draw your design in the …
When transferring designs to a block, there are several factors to consider: can the design be seen on the block? Will it wash off? Will the design be transferred to the print? In this project, we test two different carbon papers on six different relief blocks. We test them with three types of ink: waterbased, water …
Making a batik is the satisfying process of layering wax and dye to create bold, intricate designs. The more layers of dye and wax that are added, the thicker and stiffer the fabric will become. At the end of this process, you’re left with a hard, milky-looking piece of cloth. Here’s how to iron the … Continue reading "Ironing the Wax out of a Batik"
If you’re a Halloween lover this project is for you! We’ve had a go with Speedball’s Acrylic Night Glo Ink and made our own glow in the dark Halloween poster. This ink really gives your prints a twist – it would be great for children’s (or adults’!) bedrooms too. This project uses paper stencils to …
Translating drawings into print doesn’t have to include scanning and digitally manipulating your design on a computer. By using opaque film markers onto screen film we are able to skip the digital part altogether and create a photographic screen directly from the drawings you produce. This allows you to work in full scale, even tracing…
It’s important to take care of your exposed screen so that it can last for multiple print runs. With proper care, you should be able to use your screen again and again until you’re ready to have it washed off and a new design exposed. Read on for a list of rules and advice …
