Blog - Tutorials
Collagraphy is a really versatile printing process in which a textured plate is inked up and put through a press. Different textures hold varying amounts of ink and print different tones. Anything with a low relief texture can be stuck down and used: wallpaper, leaves, fabrics, tapes and threads etc. The collagraph plate is …
For a successful etch, there is a little bit of care and attention you need to give to your metal plate first. There are surface impurities and grease pockets within the metal that will need to be removed before coating your p. . .
When mixing shades of ink, we have the choice to dilute the colour with either Opaque White ink or Extender. Both of these give us different results so which should we choose? We have performed a few experiments to show the difference between mixing with Opaque White and Extender. We have used Cranfield Caligo Safe …
Copper sulphate is a non-toxic mordant used to etch aluminium, zinc and steel plates for intaglio printmaking. Copper sulphate is a safer alternative to acids - and we always opt for safer solutions here at the Handprinted studio! Metal plates are traditionally etched using highly corrosive acids, which generate noxious gases and can cause burns if they touch your skin. Aci. . .
I (Bridget) was lucky enough to take part on last years Life-Drawing Monoscreen Printing workshop with Tricia Johnson. During the course, we worked with a life model to create painterly screen prints using the mono screen method. We used acrylic based screen printing inks and painted dire. . .
We have recently discovered that you can expose a screen with artwork made by transferring a linocut to inkjet film using a water based ink. Often when we want to convert our relief prints to screen prints we need to use some kind of digital programming to make this possible. With this technique there are no computers involved. . .
Our good friend Sue Brown has recently released her new book Paper Lithography! In this step-by-step guide Sue takes us through the process of making paper lithography prints using the humble photocopy as your plate. . .
Using a simple square block can create a myriad of possibilities of pattern. We have used Speedy Carve and Versafine inks for this project. Cut a square from the Speedy Carve using a scalpel. Draw a quarter circle curve on the block using a pencil. Above the curve draw some simple lines fanning from the …
These are oil based inks that work beautifully for relief printing. We have a fantastic range of colours including the process range. Process colours are inks specially formulated to create a full spectrum of colours when mixed. There is a Process Yellow, Process Cyan (Blue) and …
Mono screen printing is a great technique if you want to create beautiful painterly prints but achieve the flatness of a screen print. It allows you to incorporate multiple colours in one layer and play with brush strokes and. . .
A multi-block linocut uses more than one piece of lino to create a layered image. Usually, each block is inked with a separate colour. Where the colours overlap, another colour can be achieved. Multi-block linocuts allow you to partially print an edition and create complete test prints as you can go back to each block…
We have recently added some fantastic new books to the Handprinted shop and this one is no exception. Sarah Campbell's beautifully curated and inspirational book explores the art of painting and making patterns on fabric. Even just flicking through the pages. . .
Printing a length of your own designed fabric is so exciting but most of us do not have the luxury of a fabric registration table. So using a bit of logic we have come up with step by step guide to printing a repeat pattern on a length of fabric using an A4 screen. You …
Drypoint is an intaglio printmaking method that involves scratching an image into a plate with a pointed tool. These lines create a burr that holds ink, meaning that the print reveals the drawing. Drypoint is an easy technique to get to grips with and is a great method if you would like to take your drawings into print. It’s easier than . . .
A half drop is a great way of creating a repeating pattern where the repeat is slightly obscured. It can make for a less gridded-looking structure and add complexity to your design. Here's a simple, analogue way to make one...
We have had the pleasure of hosting lots of new and exciting Fab Friday workshops and wonderful Guest Tutors in 2022, exploring a variety . . .
Printing your own bespoke wrapping paper or fabric can be very rewarding especially when the gift is for a loved one. This week we're printing our own. . .
We love the range of colours that are available in Schmincke water-based inks. We’re creating a jigsaw linocut to allow us to use multiple colours of Schmincke ink in just one block! We are using Easy Carve Blue as it’s soft to cut up with a scalpel, making it ideal for a jigsaw linocut. To …
This new Japanese Transparent Stamp Carving Block enables you to carve your design and bake it in the oven until it appears clear. Clear stamps are so handy as they let you see where you’re printing! This is great for repeat patterns, accurate registration, multi-colour designs and lots more. Begin by tracing your design onto …
Here’s an easy way to design a repeat pattern (without using a computer) and to block print it on to fabric. We used MasterCut for our block because it’s an easy to cut stamping material that prints beautifully...
