Blog

Hi, my name is Alyn, and I am a Cardiff-based Illustrator and Printmaker. I use low-tech print processes, alongside digital technology, to create positive and colourful images. Describe your printmaking process. Everything starts in my sketchbook. I always have a sketchbook on the go, and it’s filled with scruffy sketches and notes. Once I have … Continue reading "Meet the Maker: Alyn Smith"

When you’re carving a lino block it can be handy to be able to see how your block will print before you ink it up. By taking a rubbing of your block you can get an idea of what your final print might look like. Scroll to the bottom of the page for a video …

Hi, I’m Margaux. I live near St Malo in France. I’m a graphic designer by trade focusing on digital media. I have always loved drawing and art in general. My mother did a lot of painting and sculpture when I was a child and my father did a lot of DIY. I have a lot … Continue reading "Meet the Maker: Margaux Magny"

Like many others over the past year, I have been working on a lot of my printmaking projects at home. However, being limited on space doesn’t stop me from trying new things. In this blog post, I will be sharing how I exposed a screen at home in my tiny bedroom! You can adapt this …

Hi, we’re Ellen Wagner and Axel Roessler, we live in Frankfurt/Germany and share a passion for screen printing. Our screen printing studio “Print now – Riot later” was founded in 2014 in Tucson/Arizona, where we have lived and worked from 2014 – 2019. Having left the dusty desert behind us, we have been pursuing our … Continue reading "Meet the Maker: Print now-Riot later"

Mirror Card is a great option for intaglio plate making. It's shiny and wipeable, making it brilliant for expressive inking and sketchy designs. Peel away the surface to create dark, inky areas too. Scroll to the ...

I'm Rachael, owner and founder of RLH Prints. I am a linocut artist and illustrator specialising in botanically inspired artwork. My process involves hand carving and printing my lino blocks on a trad... Continue reading 'Meet the Maker: Rachel Hibbs'

My name is Meg Fatharly, and I am a multidisciplinary Printmaker and Artists currently based in the South East of the UK. I graduated from Falmouth University back in 2018 having studied BA Drawing and since then have continued to experiment in my process and dancing between printmaking and collage work. I was born in … Continue reading "Meet the Maker: Meg Fatharly"

There are lots of different types of lino to choose from. Read on for guidance on which lino could be right for you and your project (or scroll to the bottom of this post to watch a video).

Hi, my name is Charlie Evaristo-Boyce. I’m an artist from Margate who runs an online art gallery. Describe your printmaking process. My printmaking process revolves around screen printing. I use the process to make my bright and fun artworks. When I first started making prints a lot of my inspiration came from found images but as my work … Continue reading "Meet the Maker: Charlie Evaristo-Boyce"

Sometimes when block printing, blocks can resist the ink and it splits on the surface. This makes it difficult to print a flat, even colour and can be so frustrating. This is particularly common on vinyl blocks when using water-based inks but can occur on lots of surfaces. Use this quick, easy technique to prepare … Continue reading "How to Fix Reticulating Ink when Relief Printing"

I’m a print designer for interiors fabric. I have designed fabric, wallpaper and homewares collections, now selling online and through UK trade stockists. We are also just beginning to work with the U.S, which is exciting!   I came to printing later in life having worked in retail, marketing and sales previously so it was … Continue reading "Meet the Maker: Zoe Glencross"

The ever-helpful Michael from Cranfield has some top tips for drying prints when working with oil-based inks. We’ve summarised some of his advice to help us with our own printmaking: When working with oil-based inks, the air in the room is very important in order for your prints to dry. The atmosphere should be warm … Continue reading "Drying Prints when Using Oil-Based Inks"

We’d like to start the new year with a dose of joy and inspiration! We have had a wonderful selection of talented printmakers to keep us inspired over the last year via our Meet the Maker blog feature. Here’s a round-up of all the artists featured last year. Get yourself a cup of tea, put … Continue reading "Meet the Makers 2020"

How and where did you learn to print? I did a small amount during my degree in Art but didn’t continue as I moved into digital artwork. Being a tattooer, I have always worked in a medium where your canvas leaves with your work at the end of the day. I wanted to get back … Continue reading "Meet the Maker: Mark Jelliman"

When printing wrapping paper is a task too mammoth to tackle, why not print your tape instead? Versacraft Ink Pads and Delicata Metallic Ink pads can be used to print onto paper parcel tape to add some festive fun to your gifts! This is a great project for children once an adult has carved the …

My name is Damon Roberts. I’m a silkscreen artist based in Leeds. I seem to spend my waking hours uncovering what magic can be achieved in this process I’ve chosen to specialise in. Describe your printmaking process. Some of the work I make can be quite complicated in terms of getting the ideas ready for … Continue reading "Meet the Maker: Damon Roberts"

This is one of our favourite ways to make a card, and it certainly the quickest! You will need a black toner photocopy of your design. This can be from a carbon photocopier or toner printer. Inkjet will not work with this method. Place the foil shiny side up on the carbon photocopy. Place a …

This two-layered lino card is quick, easy and so effective on square kraft cards. Print or draw your design onto paper. Trace your design so that it is in reverse. Use a piece of red carbon paper to transfer the design onto a piece of lino. Carve out the unwanted areas of the design with …

This drypoint card can be traced from a photograph into a simple line drawing. A mono-printed red breast is made with a swipe of an inky thumb and will be slightly different on each card you print! This method uses a press but you can see a press-less method here. Use a piece of drypoint …